Random Play All: Mezzanine Floor

(photo by cmcentral)

So, am going to see TV On The Radio tomorrow. Pretty nice. I like the venue (Koko, aka Camden Palace), I like the band (obviously), it's all good. I don't know who's supporting them: on the band's US tour it was hype-magnets Grizzly Bear who I confess to having completely ignored up to now.

I'm not going to make any exception here, don't worry, despite the fact that I started writing this post without really knowing what I was going to talk about. Much akin to my everyday life where I often embark on ambitious and lengthy sentences without any clear conclusion in mind. It's fun to speculate and plan things better than others, in your mind, as there's no chance of having to deal with the conclusions. Therefore I'm automatically a better referee than any in the Premiership, I'm definitely a better editor than anyone at the NME, etc., etc., blah blah blah.

So what am I going to talk about today? How about a Random Play All? Sweet!

Today's random track is Mezzanine Floor by Delirious? Yes, that's with an intentional question mark, Therapy? style, and no, I couldn't tell you why. Delirious? are a Christian band from Brighton whose album I bought to try and impress a girl in sixth-form. Needless to say she broke my heart and chose another fella, probably after seeing that I'd stooped low enough trying to ingratiate myself to literally scrape my record-buying knuckles along the ground. The music itself, while it doesn't suck, isn't really to my tastes these days: seeing as the album was new in my upper sixth, it's a pre-millenial stadium-soft-rock kind of thing, lots of U2 kind of choruses, some fancy mild electronics, some lighter-waving acoustic anthems.

Actually, some of them are quite good. Having put the album on my mp3 player in a fit of nostalgia earlier this year, I will quite happily listen to It's OK - relatively speaking, the big single - even now. The band approached commercial success outside of the Christian market with this record, although I believe they've since gone on to even more: big in the States, apparently. I remember seeing the song on MTV in the canteen, so they can't have been too minimal, and it's become one of those from that era which make me think of this girl everytime I hear it. She clearly did a number on me, as one of the others is Robbie Williams...

I don't have many songs which remind me of girls, fortunately, my life isn't that Hornby-esque, and again fortunately today's actual song isn't one (not nearly so much as It's OK). It's a fairly upbeat but still kind of downbeat track (I can't really explain why that makes sense), and is one of the more religious on the album: "I'll get to heaven through the sinners' door." It's worth a listen if you like that big ballad American rock sort of thing, Dave Matthews, U2 and the like (yes, I know U2 are Irish, pedant, you know exactly what I mean). It has an interesting stop-start bit at the beginning (on which note: I was flicking through t'interweb for inspiration, and I heard it described, like so much music, as having a "stop-start dynamic." Scuse my ignorance, aren't dynamics volume-related rather than timing? Loud-silent dynamic would make sense...). It actually does have a stop-start section at the start of this track. The huge strings and Martin Smith's soaring near-falsetto come in later and make it a fairly typical-of-the-album song. I recommend downloading It's OK if you're only going to listen to one.

The Music
Delirious? - Mezzanine Floor
Delirious? - It's OK

The 'fo
Artist: Delirious?
Website: delirious.co.uk
Recommended: Mezzamorphis
Label: Furious?
Buy: Amazon
More: Hype Machine; elbo.ws
If you like this you might like: U2 - All That You Can't Leave Behind
Tags: Random Play All; Delirious?; U2

Random Play All: I See A Darkness

(Darkness by Toni Blay)

Random play all. Even 5 years ago these words would have had little of the meaning they have today. I don't know what an iPod says in this situation, but on my mp3 player, random play all signifies listening-to-loads-of-songs-you-don't-normally-listen-to, and today, I'm going to write a post about that.

Basically because I'm at work but have run out of things to do to occupy myself.

So, the first track that comes up when I shuffle my mp3's is Bonnie 'Prince' Billy's I See A Darkness, from the album of the same name. I first got a hold of this album when I went through a spate of listening to the darker, more morbid side of things - we're not talking Venom, or Spear Of Destiny, or whatever, but the album is pretty bleak. Song titles like Death To Everyone, Black, and A Minor Place don't tend to suggest flowers and kittens; don't expect any covers of Happy Talk, or anything. But don't death and it's related subjects make the best subjects for art? The only room at the Tate Modern where I felt I could actually understand all the exhibits was the Memento Mori room, aka DEATH HOUSE (my subtitle). And isn't every murder ballad automatically a classic? From Johnny Cash's (of whom more later) Folsom Prison Blues to Nick Caves Where The Wild Roses Grow, from Le Moz's darkly romantic There Is A Light... to the evergreen Hey Joe (find a more extensive list here), death is, undeniably, a great subject.

Whether I See A Darkness is about The End is debatable. In my mind it's more than likely that Mr Oldham wasn't thinking about frogspawn and chicken eggs when he wrote "then I see a darkness." It's not as explicit as some of his tracks, but as a statement of intent - as the title track of an album should be - it's extremely suitable. There's an undercurrent in the song, that out there somewhere is hope and gladness and redemption, but it's tempered by a savage realism suggesting the song's protagonist ain't going to find it all that easily.

I was expecting the album to entrench itself very deeply, before I bought it. I purchase it on the strength of the title track and A Minor Place, and yes, I do like it very much - I certainly have no other records quite like it. But it hasn't really settled in my mind as much as some other, perhaps less expected records, have - I can recall some, but certainly not all tracks. There's some classic, wonderful, awesome moments (I See A Darkness, Death To Everyone) but apparently I've missed what everybody else has found. Perhaps it needs more time, maybe one day I'll give it what it deserves. It's still obviously a fantastic record, but not - for me at least - life-changing. It hasn't, for example, caused me to seek out the rest of Oldham/Palace/Billy's vast and varied catalogue.

I See A Darkness the song, however, is another matter. It isn't bitter, it isn't overly morbid, it has hope and balance, it has subtility of lyric and music, it has everything a classic song needs, making it a classic. Not to mention it's more-than-the-sum-of-its-parts emotional resonance, something which causes it to stand up as one of the greatest songs of the last ten years. It's become something more than it was now due to the exposure as covered (in duet) by one John R Cash on American Recordings III. That rendition lifted both the profile of the song, and the credibility/respect awarded to Johnny Cash by a country mile and has become maybe the finest and best-loved of his wonderful covers. Cash's late-era covers didn't always work, but a good few of them exceeded the original (Hurt comes to mind). I See A Darkness didn't necessarily better Oldham's original, but it's still a phenomenal and beautiful piece. I think you should go and listen to both versions now.

The Music
Bonnie 'Prince' Billy - I See A Darkness
Johnny Cash (feat. Will Oldham) - I See A Darkness

The 'fo
Artist: Bonnie 'Prince' Billy/Johnny Cash
Website: bonnieprincebilly.com/johnnycash.com
Recommended: Bonnie 'Prince' Billy - I See A Darkness/Johnny Cash - Solitary Man: American III
Label: Domino/Sony
Buy: Amazon BPB/JC
More: Hype Machine BPB/JC; elbo.ws BPB/JC
If you like this you might like: Steve Adey - All Things Real
Tags: Bonnie 'Prince' Billy; Will Oldham; Palace; Johnny Cash; death; darkness; cover